![]() The film takes its time to coast along and settle on quiet moments where Reed is alone. Given that he can’t talk, we get glimpses of texts from others reaching out to him and his replies. The audience doesn’t know much about Reed up front what little exposition does come through is in how the audience sees Reed struggle to write, as well as the text that appears onscreen. Let alone that this dramatic element makes for a compelling dynamic, it also serves to present an intriguing twist on the home invasion genre. Directed by Alexander Sharp, written by Sharp and Peter Malone Elliott, the film makes for an intimate drama-thriller involving a daughter who has been wronged by her father and that father wanting to be better. Where Wired Shutsets itself apart from other home invasion films is in the relationship between these two characters. ![]() When a plan to rob Reed goes awry, the two are tested – they must work together or face a terrible fate. She shares that her mom thought it might be a good idea for her to spend some time with him before she heads off to school but when Reed learns from his ex-wife that she did not send Emmy to him, one begins to wonder what Emmy’s intentions may be. ![]() Things become a little more eventful for him when his estranged daughter Emmy ( Natalie Sharp) arrives to visit him. With his mouth wired shut, he is left to linger about his home – sitting around on his laptop and slurping away at his nutritional drinks through a large straw. Reed Rodney ( Blake Stadel) is a famous writer who is not only in a creative slump, but has also endured a brutal accident. ![]()
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